Crystal Cubism - Wikipedia
Crystal Cubism (French: Cubisme cristal or Cubisme de cristal) is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes.
Crystal Cubism (1915-1916) - Abstract Paintings and Sculpture
2017年4月16日 · This range of styles of painting and sculpture, especially significant between 1917 and 1920 (also referred to as the Crystal Period, classical Cubism, pure Cubism, advanced Cubism, late Cubism, synthetic Cubism, or the second phase of Cubism), was practiced in varying degrees by a multitude of artists; particularly those under contract with ...
Cubism Movement Overview - TheArtStory
Crystal Cubism (1915-22) As a response to the chaos of war, there was a tendency among many French artists to pull back from radical experimentation; this inclination was not unique to Cubism. One art historian has described this stage of Cubism as the "end product of a progressive closing down of possibilities."
Cubism Art Movement: History, Characteristics, Artwork
2023年2月18日 · The high point for Crystal Cubism was between 1917 and 1920 but it emerged around the beginning of the First World War in 1914. It was practiced by most of the Salon Cubists, particularly those under contract with art dealer Léonce Rosenberg.
Crystal Cubism
2020年7月30日 · A graphic shift occurred in the Cubists' ranks between 1915 and 1916, which reverberated for four years after that. This shift, known as Crystal Cubism, deals with an emphasis on flat, unshaded surfaces and overlapping geometric planes.
Crystal Cubism - Wikiwand
Crystal Cubism is a distilled form of Cubism consistent with a shift, between 1915 and 1916, towards a strong emphasis on flat surface activity and large overlapping geometric planes. The primacy of the underlying geometric structure, rooted in the abstract, controls practically all of the elements of the artwork.
Jean Metzinger Paintings, Bio, Ideas | TheArtStory
During the war and post-war years Metzinger helped develop a style that would be later coined by the French poet and art critic Maurice Raynal as "Crystal Cubism". Characterized by larger overlapping and interweaving geometric planes, Crystal Cubism was a move away from the investigations into perspective which typified Metzinger's earlier work.
Pablo Picasso – NCMALearn - ncartmuseum.org
While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period.
Pablo Picasso - MoMA
While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period.
Cubism and War: The Crystal in the Flame - Artbook
2017年3月12日 · Around 1915, smack in the middle of the catastrophe of the First World War, a number of European artists began to produce work later categorized as "Crystal Cubism"—a style within the Cubist movement known for "sharp-edged clarity and the poised balance of crystal structure," in the words of Cubism and War curator and editor Christopher Green ...
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