David Grundy attends a week long event in Berlin designed to forward a global avant garde of Black music composers ...

Ahead of his celebration of Max Roach, trumpeter Charles Tolliver talks to Gabriel Bristow about playing alongside the ...

Hauntological music pioneer Drew Mulholland writes about his recent compositions: "As a composer and psychogeographer my field is to interpret the environment and the moods, behaviours and memories it ...

To accompany her report on Les Disques Lexi in The Wire 490, Claire Biddles selects music from the back catalogue of the ...

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 490. Inside our brand new issue: A R Kane: The dreampop originators return with an archival retrospective, live performances – ...

Listen to a selection of tracks from our Top 50 Releases of the Year, as voted for by The Wire’s contributors. You can read more about the albums featured in our chart, as well as those featured in ...

TK: I wrote this over an instrumental written by James. A misty loop with rummaging sounds that reminded me of the theme to [the 1969 TV adaptation of Alan Garner's children's novel] The Owl Service.

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 474. Inside our brand new issue: Annea Lockwood: Having explored the outer reaches of sound across a multi-decade career ...

Ergot Records label head Adrian Rew finds readymade plunderphonics and corporate mind control on the gambling floor. I crossed the threshold of my first casino floor in Cleveland, Ohio, last March.

Wyatt in Deià, 1964, where he had drum lessons from Ramón Farrán at the bottom of Robert Graves’s garden. Robert left the Langton school at the start of 1962 and enrolled at the local art college. It ...

“To me, G-funk feels like home,” says XL Middleton. “Those melodic chords, the whistles and heavy synth bass lines – it feels like the West Coast. The music reflects the lifestyle and laidback pace ...