Historically Fucked is a four way entanglement made to create short, eruptive songs and then set about obliterating them from the inside, like improvising a barrel to encase themselves in and then ...

John Macedo is an artist and performer from London. His work explores connections, relationships, interdependence and revealing the hidden potential in all sounds, environments and technologies, often ...

Very pleased to present a two day residency for Brazilian legend Egberto Gismonti! Performing solo on guitar and piano, this is a rare chance to catch him in such an intimate space. "Egberto Gismonti ...

Jacken Elswyth is a London-based folk musician, banjo player, and instrument builder. In her music making she is focused on exploring traditional tunes, developing extrapolations on folk styles and ...

Over the last 20 years Stevie has played as part of endless collaborative projects including; El Hombre Trajeado (with RM Hubbert among others) Rude Pravo (with artists Luke Fowler, Lucille Desamoury ...

Neil Charles is one of the most in-demand musicians on the scene, with a huge array of credits to his name, including Jack DeJohnette, the Sun Ra Arkestra, Mingus Big Band, Jose James, Jerry Dammers, ...

Dave Tucker is originally performed in the late 70's Manchester Punk scene with Mellatron who released a record in 1978. between 1980-81, performed and recorded the legendary "Slates" with The Fall.

Great triple bill of artists from Manchester's always vital new music scene, featuring multidisciplinary artist, Kelly Jayne Jones; Lee Patterson, whose practice eavesdrops upon and makes a novelty of ...

One of the most inventive and eclectic figures in contemporary music, guitarist and composer FRED FRITH celebrates his 75th year with another three day residency at OTO featuring some of his longest ...

“Han Bennink is an international treasure, a towering catalyst bringing sparkle, humour and character to an art form that too often is dull.” – London Jazz News In the fields of experimental and ...

It started as my solo work that is more linked with production. I tend to stick to my way of recording voice on dictophone device (or, these days, more often on my phone). Then I mash that lo-fi ...

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